Showing posts with label Interview. Show all posts
Showing posts with label Interview. Show all posts

Thursday, November 14, 2013

Interviews with a designer ... David Rose - designer at SALT. Optics

At any of the international exhibitions we attend one of the greatest joys is in the discovery of new companies and those hidden gems which you were not aware of before.  SALT. were exactly one of those discoveries, we first met them at New York in April 2013 - Wow!


SALT.'s mission really sums up our feeling about their eyewear perfectly, "SALT. Optics is an independent
lifestyle company that creates premium handcrafted eyewear for people who like simple things made well."  To say that SALT. eyeglasses are made well is a huge understatement, quite simply their quality is unsurpassed.

In Paris this year we met with SALT. again to see their new collections and to find out even more about their company.  Designer David Rose was attending Silmo and it was too good an opportunity to miss, therefore, we are pleased that our next interview in this series is with David.

Here's our interview with David:

 What was your inspiration to become an eyewear designer?

Good question, while my surfing career was coming to an end, I picked up a warehouse gig with OSA (Optical Shop Aspen).  After about a week it was apparent that I was falling in love with eyewear.  I was surrounded by amazing brands and an array of different frame shapes, sizes, materials and applications.  Seeing all this was super positive and for years I just soaked everything up like a sponge.  Then in 2002 I was lucky enough to spend sometime working at Oliver Peoples and handle their production and manufacturing.  Although I never designed anything at OP, it was an exciting time to work closely with Larry and Patty in their design studio to find out whats coming up next, listen to their ideas about fashion and trend, as well as picking up on valuable reference points on why a DBL or temple length should be shortened or lengthened.  Then in 2006 I connected with Salt Optics through and old relationship with Ron Smith and have since been handling all their design and manufacturing.  Its been a fun and exhausting 16 years, but I wouldn't change it for the world.    


Harlan
Do you have an all time favourite frame that you designed?

Probably my favorite frame right now is Harlan.  I love the profile and
the use of Acetate and Titanium.  The vintage "line" detailing on the bridge gives the frame legacy but you can still dress this frame up or down.  I also think the color pallet and matte finishings have some staying power.








Which city would like to travel to next?


Halifax of course!

Is there a particular material that you would like working with or that you would like to work with?

Its so easy to think about using different materials or taking frames elsewhere but I really love the tradition of making hand made acetate frames in Japan.  The touch each craftsperson puts into a frame is so refreshing and authentic. The attention to detail is an investment in quality that will benefit for years to come.  Now that’s something special!

How long does the process take from initial design to finished eyewear?

It takes anywhere from 12-24 months. Some designs kinda just cross through waiting for a slot to open in the collection, like staple piece. While other might be excel excelerated because of fashion or trend.  

What influences do you draw on when creating your ranges?

I love shopping for vintage frames, especially in Japan.  I get a lot of inspiration from old catalogues of frames that aren't really made anymore.  But I feel like I get most my inspiration from experiencing the ocean, mountains and desert around southern & northern California.  Some of the culture that surrounds this area is really cool.    

Thank you David for taking the time to answer those questions.

More information about SALT. Optics can be found out here:

Website

Facebook       Twitter

And of course ... by coming in to Ocean Optometry!

Friday, August 16, 2013

Interviews with a designer ... Claire Goldsmith

Earlier this year, in a New York loft, we were privileged to meet with Claire Goldsmith, so we are really pleased to be able to post her answers first in this series.  Now, we have tried to stay completely impartial in our reporting, however, Claire supplied us with digestives and haggis flavoured crisps (chips) - how can you not be impressed!

Here's our interview with Claire:




What was your inspiration to become an eyewear designer?
1966 Press Cutting

With three generations of eyewear designers in my family, and the heritage that comes with the Oliver Goldsmith brand, it was a vocation that was hard to ignore! But aside from that, I love design and the beauty in well-designed products, whether it glasses, cars or architecture.  I work alongside a fantastic design partner, Jesse Stevens, who has worked with me on the Goldsmith collections for the past 5 years. We make a good team. We tend to be on the same page with stuff and agree on the majority of things. I guess you could say we are a design team pair! I think that our healthy partnership is visible in the collection itself. I love the collaborative process of designing the way Jesse and I do.

Do you have an all-time favourite frame that you designed?

It’s hard to say – sometimes it’s hard to separate your emotions between popularity and passion, it sounds a little fickle, but if a certain frame is selling well and everyone is gushing about it, it soon becomes your favourite! It like always supporting the winning team! 
That aside, I have always been enamoured with the Carters and Irwin, they seem to encapsulate the ‘future vintage’ aesthetic I wanted to create.

Which city would like to travel to next?

I travel to a lot of cities for work – which is great fun.  But I would love the time to escape from cities and explore remote islands in Asia! I've also never been to South America so that is on the ol’ bucket list too!

Is there a particular material that you like working with or that you would like to work with?

OG was made predominately only from acetate, in fact, they were one of the first (if not THE first) companies to use it for making eyewear.   In acknowledgement to this, we have always worked exclusively with acetate.  This year is the first time that we have introduced metals, and it’s nice to have a contrasting material to add a new dimension to the collection.  There are many wonderful materials out there, and who knows what we may start producing in the future, but whatever the material we work with, I want to be confident that we are always producing the best quality frame, and to do so, I need to trust the material and the factory who produces it and this takes time. 

How long does the process take from initial design to finished eyewear?

The time can vary, but I would say an average of 6 months.  The production side of eyewear is a tough job! The devil is in the detail and that it always the hard bit to get perfect!

What influences do you draw on when creating your ranges?

I always struggle to answer this question in interviews, not because of lack on inspiration, simply because it’s never one thing, or the same thing(s).  The market obviously has an initial input; what has been selling well, what hasn’t etc., but as we all know, trends, style, what’s hot, what’s not changes on such a regular basis that I often go with my gut.  Living in London (and travelling as much as I do) I am surrounded by so many beautiful influences; art, architecture and design.  I find looking back incredibly inspirational – looking at what worked in the past and looking for ways on how I can improve on it!


Thank you Claire for taking the time to answer these questions!

More details about Claire Goldsmith eyewear can be found here:

www.clairegoldsmith.com
Facebook          Twitter

and of course ... by coming in to Ocean Optometry!

Interviews with a designer

One of the great things about being a completely independent office is that we get to pick and choose who we wish to work with and what ranges and products we wish to carry.  Being knowledgeable and excited about a range of frames is incredibly important to us.  It allows us to share our enthusiasm for the range with everyone and while we may be slightly geeky in our thirst for this knowledge, we are sure you will love the energy and passion with which we can discuss any of our products.

Attending the leading global eyewear exhibitions gives us an opportunity to not only find some fabulous eyewear, but also to meet the creative people who are responsible for it.  What we would love to be able to do is also enable all of our followers who are also passionate about eyewear to also meet these people, but that is unfortunately not possible.  Therefore, we are hoping to do the next best thing!

Having come up with a series of six questions, we are going to ask our favourite eyewear companies these questions and let's see how they answer!

Here are the six questions we've asked:

What was your inspiration to become an eyewear designer?

Do you have an all-time favourite frame that you designed?

Which city would like to travel to next?

Is there a particular material that you like working with or that you would like to work with?


How long does the process take from initial design to finished eyewear?


What influences do you draw on when creating your ranges?